Studio hire · South London
What are you making?
Five rooms in one building off Paulet Road. Pick the job and we will tell you which room does it — including when the honest answer is that we are not the right studio for it.
- 01A studio you can drive into.Most London studios stop at whatever fits through a fire door. Studio A does not — the cove is drive-in, so the vehicle comes to the light instead of the other way round.
- 02Two coves, one building.A big white room for scale and a smaller sound-treated one that takes colour — booked together or separately, in the same building, on the same day.
- 03Turn up and record.A room that already looks and sounds like a podcast, so the hour you booked goes on recording rather than on building a set and taming a room that were never meant for talk.
- 04Kill the daylight. Own every photon.A blackout studio is not a dark room. It is a room where nothing arrives that you did not put there — no window, no weather, no hour of the day. Both of ours do it.
- 05Shoot it and cut the record in the same building.The video, the stills and the session do not have to be three bookings in three postcodes.
- 06The music studio. A booth, a desk, an engineer if you want one.Book it dry and run it yourself, or put an engineer on the desk. Neither costs you a full day.
- 07Twenty seats and ten iMacs.A bright working room that runs as a classroom, an edit suite, a casting space or a production office depending on the week.
- 08The fortieth SKU matches the first.Product work does not need a big room, it needs a controlled one — a background with no seam and light that behaves the same for the last SKU as the first.
- 09Nothing changes between sitters.One portrait is a sitting. Twelve people who need to look like they belong on the same page is a production — and it wants a room where the set never moves.
- 10Controlled light, clean sound.The two things that sink a video day are light you cannot control and sound you cannot use. Book a room built to remove both.
